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4/30/08

Operator, ring me up

In 1879, just 3 years after Alexander Graham Bell first demonstrated the telephone, the Behrens brothers established West Viriginia’s first telephone line, connecting two of their grocery stores in Wheeling. A year later, on May 15, 1880, the city established one of the first telephone exchanges in the country. A switchboard was set up in the basement of the People's Bank to serve 25 subscribers. Wheeling's original telephone technology only allowed customers to make local calls. Subscribers couldn't place a call to nearby Pittsburgh until a long distance line was strung in 1883.

During the early 1880s, switchboards and lines were installed in Parkersburg, Moundsville, and Clarksburg. By the turn of the century, much of northern West Virginia had been linked to the major cities of surrounding states.

Telephone technology developed more slowly in southern West Virginia. Although Charleston and Huntington had telephone exchanges by the early 1880s, long distance service did not begin until 1897. To accommodate southern West Virginia's growing population and expanding industry, Charleston became the hub of the state's communication services in the early 1900s.

Below left: Late 19th and early 20th-century telephones, including the tombstone (rear left), battery box wall model (rear center), and Strowger dial phone (right front). This group of telephones shows the changing design of instruments from the late 19th through the early 20th century. Note that the earlier telephones have no dials. Dialing a number only became possible after automated equipment was developed to make connections originally handled by human operators.

19th and early 20th-century telephonesAlmost all telephone operators were women. But not all women could be operators. To be an operator, a woman had to be unmarried, between the ages of seventeen and twenty-six. She had to look prim and proper, and have arms long enough to reach the top of the tall telephone switchboard. Much like many other American businesses at the turn of the century, telephone companies unfairly discriminated against people from certain ethnic groups and races. African American and Jewish women were not allowed to become operators.

Because women were generally discriminated against, operators' wages were low. And operators seldom got the respect they deserved. The typical operator earned about $7 per week -- a small salary even in 1900. She worked ten or eleven hours a day, six days a week. If necessary, she also worked nights and holidays. An operator who got married was forced to leave her job. To many early telephone users -- most of whom were wealthy -- the telephone operator was just another household servant.

telephone switchboard operatorPhotograph of a female telephone operator at switchboard by traveling photographer Albert J. Ewing, likely taken in southern Ohio or West Virginia, ca. 1900-1910.

Still, the operator was the heart of the telephone system. She watched over a switchboard containing up to 200 phone lines, listening in with her clunky metal headset. Her main job was to plug callers' phone lines into the phone lines of the people they wanted to speak to. But she often acted as the town's information source, too. Operators were also expected to inform customers of election results, streetcar breakdowns, storms, train arrivals, and much more.

In 1900, the life of the rural operator was very different from her peers in the city. The telephone was a big hit with the farm families who could afford one. But there were rarely enough calls to tie a rural operator to her switchboard. To help pass the time, some women attached long cords to their headsets. That way, they could walk around their homes doing chores while they waited for the phone to ring. Rural operators enjoyed a lot of independence.


Sources: pbskids.org/wayback/tech1900/phone.html
www.wvculture.org/History/timetrl/ttmay.html


4/29/08

Die Kolony Bernstadt

Kentucky began a campaign in the 1880s to attract Western European immigrants to the state, which had been losing population to America’s new westward movement at alarming rates. The Kentucky Bureau of Immigration, the State Geological Survey and the newly created Bureau of Agriculture, Labor & Statistics worked together to send agents abroad, loaded with broadsides and pamphlets, to describe Kentucky’s bright future prospects.

Swiss colony bernstadt, bernstadt kyThe Swiss jumped first. Many from Canton Bern came to Laurel County, drawn by the new coal mining jobs available in the north and east sections of that county, to found Die Kolony Bernstadt. This village was the largest of several Swiss colonies in the region, others in Laurel County being Die Kolony Langnau, Die Kolony Lily, and a group near Stanford, in Lincoln County.
The Bernstadt Colonisation Company, founded by Paul Schenk, the son of the Swiss President, and Otto Bruner, both agriculturalists, and Karl Imobersteg, the owner of a large passage office, bought 40,000 acres for the cultivation of vineyards. They encouraged German-speaking Swiss, who were suffering as a result of a farming crisis and high land prices in their native country, to come to Kentucky.

From 1881 to 1886, 336 families bought land and erected Protestant churches and two schools. The First Evangelical Reformed Church, also known as the Swiss Colony Church, was built in 1875. The Catholic Swiss families who immigrated here initially celebrated Mass at the home of one of their countrymen. Father Joseph Volk officially brought the Roman Catholic Church to East Bernstadt in 1888, when he established St. Sylvester’s. The Swiss immigrants’ improved farming methods produced well-known wines- Chasselas, Pinor Noir; and cheeses – Emmental, Gruyere, Raclette.

In addition to the Swiss colonies of Laurel County, an Austrian one gathered in Boyle County, a German one formed in Lincoln County, and the Ohio River towns attracted some French immigrants, but overall Kentucky’s effort to import Western Europeans to empty countryside pockets wasn’t a strong success. The Bernstadt post office, which had opened in 1881, finally closed in 1964.

sources: http://snipurl.com/2625m [www_triptrivia_com]
Kentucky Place Names, by Robert M. Rennick, Univ of Ky Press, 1987
The Kentucky Encyclopedia, by John E. Kleber, Univ of Ky Press, 1987
http://snipurl.com/2625t [saintwilliamhistory_cdlex_org]


4/28/08

Congressman snubs suffrage leader

"CONGRESSMAN TOM HEFLIN'S TILT WITH WOMAN SUFFRAGE LEADER FEATURES BARBECUE"
Montgomery [AL] Daily, c. 1915


"Congressman Tom Heflin has returned to his home from Wetumpka, AL where he delivered the principal address before the crowd of several thousand gathered to participate in the big barbecue held there yesterday. The congressman is glad to be alive today, for he escaped 'whole' after having a tilt with a woman on the platform, and in the presence of that same several thousand persons. Mr. Heflin brought about a very keen situation, when he followed Mrs. Bossie O'Brien Hunley on the platform, and politely told the audience that he had not liked the speech of that lady.

"Just imagine a mere man, telling a lady to her face and before her own audience that her speech was not liked. Well, Tom Heflin did it, and got away with it. Mrs. Hundley, who is one of the suffrage leaders of the state, a very charming and a very smart woman had an important part on the program. She addressed the big audience on "women suffrage" and made an appeal that the vote he given to her sex.

"Mrs. Hundley was followed on the platform by Congressman Heflin, who is known through the state as one of the strongest anti-suffrage leaders. Mr. Heflin thinks that the woman's place is in the home, where she molds public opinion by her own sweetness of character and where she raises boys to be real men, and men who are capable of giving woman-hood every advantage and at the same time, keep her from mixing up in the mire of politics.

Alabama congressman Tom Heflin"Mrs. Hundley knew Mr. Heflin's views on this question, and she had at some previous time challenged him for a joint debate, but Mr. Heflin had evaded the meeting. While addresses were made by Mrs. G. H. Mathis, of Gadsden, who a month ago thrilled a Chicago audience with her rccountal of farm work in Alabama; Mrs. Thomas M. Owen; Mrs. P. L. Matthews, and Mrs. Hundley. The feature speech on the program was scheduled to be that of Congressman Tom Heflin. Mr. Heflin followed Mrs. Hundley and prefaced his remarks by saying that he had enjoyed the speeches of Mrs. Owen and Mrs. Mathis, but not enjoyed that of Mrs. Hundley, and he turned, and smiled at Mrs. Hundley.

"Mrs. Hundley bit her lips, she did not know what was coming and neither did any one else. Congressman Heflin continued and intimated that there were only a few suffrage seekers among the womanhood of Alabama and said that he had recently told a friend that he would be willing to leave the question to a vote of the women of Alabama and that if a majority of the women would show that they wanted the vote, he might waive his objections.

"He had reached this point when Mrs. Hundley interrupted and asked if the speaker would yield to a question. She did it too, in real parliamentarian manner, and Congressman Heflin, who had been interrupted time and again on the floor of congress in a like manner, but never before by a small wee voice coming from a woman, knew that he was in the middle of a bad fix, so he acquiesced and Mrs. Hundley said that surely he knew that his position was not practical and that it would be impossible to hold any such election of women and that the constitution did not provide in any way for a referendum, and that the suffrage people of Alahama wanted to have the vote given to them by the men of the state. Mr. Heflin in resuming his speech after the interruption, side-stepped Mrs. Hundley's remarks, told a witty story and extricated himself from the situation and went on with his address, but never again during his remarks did he mention woman suffrage."


source: http://snipurl.com/2617n


4/25/08

Hobo Nickels

Coin collectors today consider the hobo nickel a numismatic treasure, a tribute to long- forgotten folk artists who often literally carved for their supper. The Buffalo nickel debuted in 1913, but it wasn’t until the Great Depression struck that hobo nickel carving reached its peak. During this period, buffalo nickels were the most common nickels in circulation.

The sudden scarcity of jobs in the early 1930s forced a huge number of men to hit the road. Certainly some coins were carved to fill the idle hours. More importantly, a 'knight of the road,' with no regular source of income, could take one of these plentiful coins and turn it into a folk art piece, which could in turn be sold or traded for small favors such as a meal or shelter for a night.

The nickel was an ideal coin from which to fashion such a token. The large profile of the Indian on one side and the classic image of the very wide American bison that complemented it on the reverse side provided an adequately sized canvas for the wandering hobo artist to use. It was portable, and the nickel (a copper-nickel alloy) is the hardest U.S. coin in circulation, ideal for carving.

hobo nickelsIn a community of generally anonymous drifters, two carvers rose to prominence among hobo nickel creators. Bertram 'Bert' Wiegand was born in 1880 and carved from 1913 to 1949. He signed his coins by removing L I and Y from L I B E R T Y, leaving only B E R T. He tutored the man coin collectors consider the giant of hobo nickel carving: George Washington 'Bo' Hughes (born between 1895 and 1900 in Theo, Mississippi). Bert met the young teenager in a jungle, or hobo camp, along the Gulf, Mobile and Ohio railroad line, and Bo’s first nickels appeared two years later, in 1915. Bo carved till about 1980, when he was last seen by his friend of 40 years, Williard Chisolm, in a Florida camp.

Life as a hobo took its toll: the rigorous manual labor Bo undertook to survive during the money-tight, poverty-ridden 30s rendered his hands stiff and permanently damaged. Frequent beatings by ruthless detectives prowling railroads (where many hobos resided) in search of freeloaders and thieves compounded his dexterity impairment.

Nevertheless, devoted to his craft, Bo worked through the pain and frustrating impediments throughout the 1940s and into the 1950s, but in 1957, while he was working on a nickel, his chisel suddenly slipped and struck his hand. The injury forced the once-great hobo nickel engraver to resort to a haphazard punching method. Bo continued his work, but with less frequency and diminished quality, and as America moved into the post-war era genuine hobo nickels became a thing of the past.

The U.S. Mint ceased striking Buffalo nickels in 1938.

Related posts: Riding the Rails

sources: http://www.hobonickels.org/scraps19.htm
www.pcgs.com/articles/article2766.chtml
www.montgomerycoinclub.org/bulletins/2006/club_mccc200607.html


4/24/08

A mill built plenty sturdy

The western Algonquin called it the 'Mooskingom,' and to the Narragansett tribe it was the 'Mooshingung' ---"water clear as an elk's eye." The Muskingum River, which empties into the mighty Ohio River from the furthest point in Columbiana County, is at 112 miles long the longest river lying wholly within Ohio. And the last remaining mill on the Muskingum River is the Stockport Mill in the town of the same name.

In 1839, G.W. Sanburn laid out Stockport next to Windsor Village. Later on, Stockport and Windsor Village merged to be called the Village of Stockport, named after a town in England by Postmaster Samuel Beswick. Stockport became one of the most important shipping and trading points on the Muskingum River between Zanesville and Marietta.

Stockport Mill, Stockport OHThe first mill at this site was built in 1842 and operated only a few years before it burned. A second mill was built in 1849 and operated for 54 years until it too caught fire and burned to the ground, around 2 a.m. on July 1, 1903. In 1906, the Dover Brothers began construction of the current mill. A local boy, Fred James, stated that it was built "plenty sturdy," which was proved true enough when the 1913 flood took out many other mills on the Muskingum but left the Stockport Mill standing.

The mill was powered by two 40-inch Leffel turbines used for grinding. In 1908, the mill began fulfilling a contract to supply the village with electricity for street lights. On April 6, 1928, the Suburban Power Company was given the light contract and hydroelectric operation in the mill was shut down.

The Stockport Mill produced Gold Bond Pastry Flour, Pride of the Valley (bread) Flour, and it also ground feed for livestock. The Stockport Milling Company shipped its products by steam packet boat and over the Ohio & Little Kanawha Railroad before the era of all-weather roads. The mill also functioned as a community hub where local farmers obtained supplies and shared news.

In 1942, Fred James and Ray Devitt purchased the mill from the Dover heirs for $4,000. They then sold it to the Farm Bureau and it was operated as the Landmark Mill with Dow Kasler as the manager. The mill operation ceased in 1997 and today the refurbished building houses a bed & breakfast.

sources: www.stockportmill.com/history.htm
stockportohio.weebly.com/village-history.html
Christopher Gist's Journals with Historical, Geographical and Ethnological…by Christopher Gist, ed. William McCullough Darlington, 1893, J.R. Weldin & co.
Ohio historic marker: http://www.pbase.com/gshamilton/image/31450643


4/23/08

Hickory chickens are underfoot this month

'Hickory chickens,' or 'dry land fish,' don't have anything to do with chicken, fish or hickory. They are morel mushrooms and they’re in season right about now. Look for 3 varieties throughout Appalachia: morchella esculenta, which can be found under old apple or pear trees when the oak leaves are about mouse-ear size; morchella angusticeps ('fat morel'), which can be found under oak, beech or maple forests, when the serviceberry is in bloom; and morchella crassipes, found on swampy ground near jewelweed.

morel mushroomAll favor damp soil and decaying logs, and if you hunt after a spring rain when the sun has warmed things up a bit you’ll likely be rewarded. Don't count on help from die-hard 'shroom hunters, however! Not only is the morel's flavor prized above all other mushrooms, but it's notoriously difficult to cultivate commercially. And so hunters are loath to share their fields lest others clean them out first.

Watch out for false morels. 'True' morels have caps that are completely attached to the stem--while false morels in the genus Verpa have caps that hang completely free, like a thimble placed on a pencil eraser. One of the verpas, Verpa bohemica, is known to be mildly poisonous to some people.

Batter dipped and fried up, nothing compares to the 'sponge mushroom's mild oyster flavor (hence the 'dry land fish' label). Some folks shun the batter, and saute them plain with butter and onion. They can be dried (never frozen!) for the off-season months (they need to be soaked in water for a few hours to reconstitute them). Or just use them dried: they can be turned into powder with a rolling pin to make a wonderful morel "spice" that can be added to sauces.

Related post: Land fishing for Molly Moochers

sources: Firefox 2, ed. Eliot Wigginton, Anchor Books/Doubleday, 1970
http://www.mushroomexpert.com/morchellaceae.html


4/22/08

Baseballs' First World Series Hero: Deacon Phillippi

Baseball pitcher Charles Louis (“Deacon”) Phillippi, of Rural Retreat VA, was drafted into the National League by Louisville in 1898, and began his baseball career with that team on April 21, 1899. On May 29, 1899 he pitched a no-hitter against the Giants in only his seventh major league game. In 1900, he moved to the Pittsburgh Pirates, where he spent the rest of his baseball career, through his final game on August 13, 1911.

His claim to fame is that he won the first game of the first World Series in 1903 against Boston’s Cy Young. Deacon is considered one of the greatest control artists of all times, averaging just 1.25 walks per inning per nine innings over his career. This record that has stood for over a century, despite the likes of Sandy Koufax, Nolan Ryan and Walter Johnson.

Deacon PhillippePhillippi was born on May 23, 1872, a son of Andrew Jackson & Margaret Jane (Hackler) Phillippi. Sometime around March 1875, the family left Wythe County and moved to Spink County, SD, near the town of Athol, where young Charles grew to manhood. His friends called him Charlie, but he got the "Deacon" nickname due to his humility and easy demeanor.

In 1896, he headed to Minnesota to play semi-pro ball for a team in Mankato. The next year he hooked up with Minneapolis of the Western League, where he pitched for two seasons, in the second of which he posted a record of 21-19. Then he got his chance in 1898 when he was drafted by Louisville. Deacon left his wife Ella and 3 children right around this time. Ella claimed she threw him out when he informed her he was going to become a Pro baseball player, which in those days was akin to joining the circus.

CAREER HIGHLIGHTS: Phillippi was 186-108 lifetime with a 2.88 ERA. He had five seasons with 20 or more wins. He completed 242 of the 288 games he started over his career, while triking out 929. He had his best ERA year in 1902 when he posted a 2.05 mark and a 20-9 record. Over a 4 year period (1900-1903), he pitched 1136.1 innings. He is near the top of the team's ALL-TIME pitching list in Innings Pitched, Wins, Strikeouts, Shutouts, and Completed Games.

BEST YEAR: In 1903, he was 24-7 with a 2.43 ERA. He struck out 123, only walked 29, and gave up just 265 hits in 289 innings.

The World Series, as we know it today, was first played on October 1, 1903 between the National League Pittsburgh Pirates and the American League Boston Pilgrims at the old Huntington Avenue Ballpark in Boston. It was a 9 game series, which Boston won 5 games to 3. Star players in the series included Pittsburgh's Honus Wagner and Deacon Phillippi and Boston's Cy Young.

Phillippi pitched in five of Pittsburgh's eight World Series games against the Boston Pilgrims. He beat Cy Young in the first and third games. He beat Bill Dinneen in the fourth game. He lost to Bill Dinneen in the eight game, 3-0. Each player on the winning Boston Team received $ 1, 182.00. Because the Pirates owner willingly gave up his gate receipts, each player for the Pirates received $ 1,316.25. The price of a ticket was $ 1.50, and there were 16, 242 in attendance for the first game.

After the 1903 World Series, Deacon not only received his salary of $ 1,316.25, but he also received ten shares in the Pittsburgh Pirates.

In the old Federal League during 1912 & 1913, Deacon managed the Pittsburgh Team named the "Filipinos", named so after the Deacon himself. But the poorly organized and financed league collapsed, mainly because of the failure of the NY franchise to attract fans.


sources: www.serve.com/smythgen/Deacon/Deacon.htm
www.southdakotamagazine.com/editors_notebook.php?p=458
baseballcrank.com/archives2/2003/10/baseballpop_cul.php
www.baseball-reference.com/p/phillde01.shtml


4/21/08

Deborah Weiner discusses her book 'Coalfield Jews'

We caught up recently with Dr. Deborah Weiner, author of "Coalfield Jews: An Appalachian History." Central Appalachia's coalfields were home to thousands of Jews between the 1880s and 1950s. Dr. Weiner, research historian and family history coordinator at the Jewish Museum of Maryland, tells their story meticulously and movingly. Her book has been awarded the Southern Jewish Historical Society’s Book Prize; it was selected for the top prize from among 11 books published during 2003-06 throughout the nation.


APP HIST: The proportion of Eastern European Jews in your study area of Appalachia is dramatically high compared to, say, the German Jewish population. Baltimore wholesaler Jacob Epstein is a key linchpin in why that is. Can you discuss his role briefly?

Jacob Epstein came from Lithuania as a teenager and started out as a peddler. Before he was 20, he had earned enough to open a dry goods store in Baltimore, the Baltimore Bargain House. He decided to focus on wholesaling instead of retailing, because he saw great potential in selling to peddlers and small shopkeepers rather than selling directly to consumers.

Deborah R. WeinerEpstein was a commercial genius -- he advised peddlers to go out to areas that were attracting new industries, because he knew that that these areas would have a growing population and a growing need for consumer goods. So he sent many of his fellow Jewish immigrants out on the new rail lines that had just been completed into the coalfields. They began to arrive just as the first shipments of coal were going out, so they were really there at the dawn of the coal boom.

Many of the peddlers Epstein sent out decided to settle in the coalfields and open stores. They became the founding members of the Jewish communities that developed in southern West Virginia. So when people ask, how did Jewish immigrants manage to find their way into the mountains? I point to people like Jacob Epstein as my first answer. Once the "pioneer" peddlers settled down, they sent for their relatives, and Jewish communities grew from there.

APP HIST: 'Coalfield Jews' offers a very precise focus on the life and times of 3 generations of small town Jews in 11 counties in central Appalachia. You mention only in passing the existence of the region's larger Jewish communities in Charleston, Knoxville and Chattanooga, and leave the thriving Jewish community centered around Asheville out of the discussion altogether. Why did you choose the narrower emphasis?

WEINER: Appalachia is a diverse place and needs to be examined as such. Jewish life in a town like Logan, West Virginia, was not the same as Jewish life in Charleston or Asheville—both of which were (and are) quite different from each other. So you can’t really generalize about "Jews in Appalachia." Well you can, but you would probably end up over-simplifying things.

I suppose I could have compared the Jewish experience in Appalachian cities to their experience in smaller Appalachian towns, and pointed out the differences, but that would have been another sort of book entirely. I wanted to explore one particular sub-region in depth, because it enabled me to investigate a variety of issues in detail, rather than paint broad brush strokes.

Coalfield Jews: An Appalachian HistoryI chose to focus on the southern coalfields because I find this particular part of Appalachia fascinating: the diverse mix of people that gathered in mining towns in the early 20th century, the boomtown environment, the domination of a single industry. By delving into how Jewish immigrants navigated this environment, I was able to look at a bunch of issues in depth. For example, how did Jews—who were merchants and had little to do with coal mining—interact with the coal economy? This led me to a discussion of how independent merchants competed with company stores.

I also was able to take a close look at how Jews fit into the social scene, which tended to have a rigid class structure imposed by the coal industry, combined with a multicultural atmosphere that tolerated diversity to a pretty amazing degree.

Limiting my study to the coalfields allowed me to draw connections outside the Appalachian region—to boomtowns around the world, to mining regions around the world. These kinds of places have been important to Jews in the diaspora, so the book sheds light on a particular kind of Jewish experience. At the same time, it provides a bit of an international perspective on Appalachia, even while dealing with the nitty-gritty details of life in these small towns.

That was an excellent question--it sort of gets to the heart of what I was
trying to do.

APP HIST: Thanks so much for joining us today!

4/18/08

News bee been by?

Sweat flies, Russian hornets, sand hornets, and Japanese hornets are some of their common nicknames. Warm weather’s here, and that means they’re starting to come back. In both Appalachian and Ozarks folklore, news bees appear as omens to those wise enough to read them.

They have the peculiar habit of just hanging motionless in the air watching people as they do things. There are yellow news bees, which mean that good things are in the offing-- it's good luck if you can get one to perch on your finger--and black news bees, which warn of imminent death. The black news bees fly in the windows and out again, and fly straight for the nearest cemetery; they hover making a sound like a human being talking.

sweat fliesThose of scientific bent probably want to know that flower flies, many of which are called "hover flies," belong to the family Syrphidae in the order Diptera (true flies). The most commonly seen species of flower flies are brightly colored, bee-like flies with yellow and black markings. Although flower flies resemble bees, they can be distinguished by their wings: flower flies (like all flies) have only 2 wings. Bees have 4 wings.

The many species of hover flies in Appalachia are found in weedy habitats and gardens. Flower flies are often called "sweat bees" because of their resemblance to bees and because they often land on human skin to gather sweat. Flower flies cannot sting, but there are small black bees in the family Halictidae (also commonly called sweat bees) that will occasionally sting humans while they are gathering sweat.


sources: www.iras.ucalgary.ca/~volk/sylvia/TheBestiaryProject.htm
www.uky.edu/Ag/CritterFiles/casefile/insects/flies/syrphid/syrphid.htm#myths


4/17/08

Bank Night at the Met

The Metropolitan Theatre in Morgantown, WV is one of that city’s best examples of Neo-classical Revival architecture. The 1,300 seat theatre opened on July 24, 1924 with "seven acts of vaudeville sent by the BF Keith Amusement Company from its New York Office." Over the years Gene Autry, Peggy Lee, Count Basie, the Andrews Sisters, Bob Hope & Bing Crosby, and Duke Ellington all graced its stage.

The theatre hosted both live acts and films. Owner George Comuntzis installed a $50,000 "Mighty Wurlitzer" organ in 1928 to provide accompaniment for that era's silent films. The Met was one of a handful of theatres around the country to show films on a pre-release basis, so that production companies could gauge response. As an "index town," Morgantown was privileged to see new movies as early as 60 days prior to national release.

Metropolitan Theatre, Morgantown WVThe Met was the first theatre in northern WV to install Vitaphone sound systems, and one of the first theatres in the country to install air conditioning.

The theatre also sponsored games that were played on the screen for cash from the mid - 1930s to late 1940s. One such game was "Wahoo," a spin game projected on the screen in which a button would be pressed by those in the audience causing the spin; the jack pot increased by $25/week, and, when the spin stopped, the Comuntzis paid whatever percentage (l00%, 50%, 25%, 10%) showed on the screen.

"Bank Night" was another popular game; those entering the game daily signed a journal opposite a number, which was placed in a large drum. On "Bank Night" a number would be drawn for each $500 increment in the jackpot, and if the winner was in the audience, he or she received the cash immediately.

Bank Night caused quite a controversy nationwide, in fact. "According to figures released last week, gross box-office receipts for the cinema industry in 1936 were a billion dollars, $250,000,000 more than last year," reported Time magazine on Jan 11, 1937. "A contributing reason was undoubtedly 'Bank Night'—currently a weekly fiesta at 5,000 of the 15,000 active U. S. cinema theatres.

"Bank Night is a copyright scheme invented by a onetime Fox booking agent named Charles U. Yaeger, who leases it to theatres for from $5 to $50 a week depending on their size. What it amounts to is a clever evasion of state & municipal lottery laws whereby, by registering his name at a theatre, a patron becomes eligible to win a substantial prize if he is present at the theatre on 'Bank Night'— when the prize is awarded to the holder of a lucky ticket after a drawing on the theatre stage.

"Since Bank Nights started in 1931, Inventor Yaeger's enterprise has grown from a two-room office to a Denver building and a chain of theatres. [Bank Night is] perpetually under fire from state and municipal authorities who hope to find some way in which to bring it under local lottery laws. In Topeka, Kans., the Supreme Court ruled that Bank Night as practiced by certain Fox Theatres was illegal. In Albany, N. Y., the Court of Appeals ruled Bank Nights legal."


Sources: www.time.com/time/magazine/article/0,9171,757281,00.html
www.wvculture.org/shpo/nr/pdf/monongalia/84003631.pdf


4/16/08

The oldest continuously played golf course in the US

The city of Middlesboro, Kentucky, was established in the late 1880s by Scottish born Canadian Alexander Alan Arthur and his British backers in the American Association Ltd. They were drawn to the area by the promise of iron ore deposits in the Cumberland Mountains. Arthur purchased 80,000 acres of land and built his city in the Yellow Creek Valley of Kentucky.

The exact year in which the golf course opened is not definite, but 1889 is the earliest year that golfing has been confirmed. That makes the course the oldest continuously played course in the United States and the second oldest course in the nation. The course has had several names over the years. The original name was Kentucky Golf Club, later Middlesboro Golf Club, and the current name of the Country Club of Middlesboro.

Middlesboro Country ClubIn the early years there was no clubhouse. The 1st tee was located at what is now the corner of 25th Street and Worcester Avenue and headed west to Cirencester Avenue and then on to the remainder of the course that is still played today. In the 1920s the course moved west to accommodate the growing need for residential housing.

In 1889 30 men and women were members at the country club. Each paid the annual $2 membership fee. Of course, in the 1880s there were no golf carts. Golfers carried their own bags or used caddies. Some of the first caddies were Henry Sandifer, Ed Slusher, Mark Colgan, Paul Colgan, Arthur Rhorer, Ed Sampson, and Arden Kennedy.

By 1893 the boom in Middlesboro was over and the Baring Brothers Bank in London cancelled Arthur's funding. The course continued to be used sparingly until 1921 when Judge Joe Bosworth Jr. helped reorganize the club and started on a plan of growth. The officers of the Club in 1921 were R.E. Howe - President, F.P. Scales - Vice-President, J. M. Milles - Secretary, and E.P. Nicholson - Treasurer.

In 1921 there were 150 members, and that was also the year the original clubhouse was constructed. In 1924 Middlesboro Country Club played host to the Kentucky State Amateur Championship.

For many years Middlesboro Country Club was also the home of one of the few Par 6 holes (660 yards) in the country. Number 7 was shortened to add flood control but remains a very challenging hole that few can reach in 2.


source: www.middlesborocountryclub.net/history.htm


4/15/08

Empress of the Blues

When Bessie Smith sang the blues she meant it. Smith (1894-1937) was the greatest and most influential classic blues singer of the 1920s. Dubbed "The Empress of the Blues," Smith embodied the blues feeling, while her songs, drawing from her sordid lifestyle, rang true with rural and urban audiences alike.

Smith was born on April 15, 1894, in Chattanooga, TN. She spent her early years living in a one room shack in a small area of Chattanooga known as Blue Goose Hollow. These living quarters were shared by both of her parents and all of her siblings, which at the highest count could have been as many as seven.

Her father, a part time Baptist minister, died when Smith was an infant and by the time she reached the age of nine her mother Laura and at least two of her brothers had also passed away. Smith’s sister Viola moved the family into a tenement apartment in a section of Chattanooga known as Tannery Flats. She supported her sisters, brothers, and her own daughter mainly on the small wages she earned from taking in laundry, and was apparently very strict when it came to her siblings.

Bessie SmithThe family income was minimally supplemented by the odd jobs that Clarence, the eldest brother in the Smith family, took. By 1904, Clarence left town to join the Moses Stokes traveling show and his support left town with him.

Despite the abject poverty that consumed Bessie Smith's childhood, she is noted as having completed school at least to the eighth grade. During this time Bessie is also said to have started her entertainment career. Standing on the corner singing, accompanied by her younger brother Andrew on guitar; their preferred location was in front of the White Elephant Saloon at Thirteenth and Elm streets. They collected spare change that people passing by threw at them.

After hearing his sister perform at an amateur night at the Ivory Theatre, Clarence arranged an audition for Smith with the Moses Stokes Company, and she was hired as a dancer in 1912. She became friends with an older Moses Stokes veteran, Gertrude "Ma" Rainey, who was called the Mother of the Blues and likely exercised some influence over the young singer.

Rainey is largely credited with moving the blues away from its traditionally male, country sounds to the more classical, city and women's style that is associated with the Harlem Renaissance, today. Smith had her own voice, however, and owed her success to no one. If anything, Ma Rainey taught her stage presence.

Bessie Smith’s heavy, throaty vocals were balanced by a delightful sense of timing. Her live shows were a blend of comedy and drama in song. She played on the road for eleven years before recording her first song in 1923. That record sold 780,000 copies, but only made her $125.

During her heyday, she sold hundreds of thousands of records and earned upwards of $2000 per week, which was a queenly sum in the 1920s. She routinely played to packed houses in the South as well as the North and Midwest. Alberta Hunter, a contemporary blues singer of Bessie Smith's, said of Smith, "I don't think anybody in the world will ever be able to get as much hurt into one song." There are some artists who don't have to do anything other than walk out on stage to create electricity in the air, and Bessie Smith was one of them.

sources: www.jerryjazzmusician.com/mainHTML.cfm?page=albertson.html
www.southernmusic.net/bessiesmith.htm
www.nps.gov/history/delta/blues/people/bessie_smith.htm
xroads.virginia.edu/~ug97/blues/bsa.html


4/14/08

Sassafras tea - THE spring tonic

My mother was a great sassafras drinker. And every spring we had to have sassafras along with our poke salad (that was a wild green). The mountain people particularly gathered a lot of wild greens to supplement their diet, because most people back in those days lived mostly on cornbread and peas. My mother used to enjoy going into the mountains and picking the wild greens. They have a thing called (and I like it today—they cultivate it, by the way, in Tennessee and Virginia) highland creeces. Oldtimers called them creecy-greens.

Eula McGill
born Resaca, GA 1911
February 3, 1976 interview
Southern Oral History Program Collection (#4007)
Interview G-0040-1.
http://docsouth.unc.edu/sohp/G-0040-1/G-0040-1.html


To some Appalachian farmers, it was simply an aggressive weed tree cluttering old fields. Others believed its wood could prevent chicken lice, and so used it to build chicken houses and chicken roosts. But sassafras’ most famous attribute has always been the healing properties of the springtime tea –a spring tonic- made from its roots.

The Cherokee people utilized sassafras tea to purify blood and for a variety of ailments, including skin diseases, rheumatism, and ague (the tree is sometimes called an ‘Ague Tree’). "The country people of Carolina crop these vines (Bigonia Crucigera) to pieces," said William Bartram in Observations on the Creek and Cherokee Indians food traditions, "together with china brier and sassafras roots, and boil them in their beer in the spring, for diet drink, in order to attenuate and purify the blood and juices." The Cherokee would also make a poultice to cleanse wounds and sores, while they’d steep the root bark to treatment diarrhea or for 'over-fatness.'

They emphasized that the tea should never be taken for more than a week at a time. They didn’t know about safrole, though they knew its long term effects. The bark of sassafras roots contains volatile oils, 80% of which is safrole. Commercially produced sassafras was pulled from the American market in the early 1960s after experiments showed that safrole caused liver cancer in rats and mice.

Sassafras 'Sassafras Albidum'Early white mountain settlers, perhaps influenced by the vine/brier/sassafras concoction described above, made a beer by boiling young sassafras shoots in water, adding molasses and allowing the mash to ferment.

The varied leaf shapes are the Mitten Tree’s trademark—in fact, its Latin name was once Sassafras Varifolium. Today Sassafras Albidum ranges widely over the eastern United States (only two other species of sassafras exist elsewhere in the world: one in central mainland China, one in Taiwan).

‘White sassafras' grows along roadways in thick clusters, usually from three to six feet tall. It has roughly the same characteristics as ‘red sassafras,’ however the bark does not turn pink to red when the root is damaged.

The red variety is the species that is most prized. Generally found on hills and ridges, it sometimes grows in mountainous areas to a height of thirty or more feet. The American Forestry Association's National Register of Big Trees lists a 77-foot champion in Owensboro, KY.

According to H.L. Mencken's The American Language (1936), the word sassafras traces back to 1577 and is of Spanish origin, probably deriving from the Spanish term for saxifrage.

Native Americans in Virginia pointed out 'wynauk' to British settlers, and in 1603, a company was formed in Bristol, England to send two vessels to the New World, principally with the intention of bringing back cargoes of sassafras bark. Thus, sassafras was one of the first, if not the first, forest products to be exported from what is now the mid-Atlantic states.


sources: Observations on the Creek and Cherokee Indians food traditions, by William Bartram, 1789, From "Transaction of the American Ethnological Society," Vol. 3 Pt. 1. Extracts
everettarea.org/tales/v01/v01c30.htm
foodreference.com/html/artsassafras.html
inpaws.org/Marion%20Jackson%20Trees/Sassafras_albidum.pdf
The singular sassafras, by Henry Clepper, from "American Forests," American Forestry Assn 1989
http://ohiodnr.gov/Portals/18/publications/pdf/wild%20edible%20plants.pdf


4/11/08

Moving cotton through the upcountry

In the decade after the Civil War the new Air Line Railroad connecting Charlotte and Atlanta was laid through upcountry South Carolina. Two Confederate veterans saw an opportunity to create a new town at the junction of the older Blue Ridge Railroad and the new line, a town which because of this location would serve as an ideal marketing and shipping point for cotton grown in the low country.

And so Col. Joseph Norton and Col. Robert Thompson founded Seneca, SC (named for a nearby Cherokee village) on August 14, 1873, and Governor Wade Hampton signed the charter for the town on March 14, 1874.

During the cotton harvest, wagons bringing cotton would line up for blocks from the railroad station. A passenger terminal, several hotels, and a park were built near the railroad tracks.

If you walk down West South 1st St from the Seneca Presbyterian Church to Poplar St (now called Bruce Hill Blvd) you’ll be smack in the middle of “Silk-Stocking Hill.” Six of its houses were built by the Gignilliat family.

George Warren Gignilliat (1853-1926) and his brothers were among the pioneer merchants who came to Seneca and made large contributions to the development of the town. He’s one of the owners of the Seneca Oil Mill & Fertilizer Co. He also started Charles N. Gignilliat & Sons, Cotton Merchants, based in Seneca and Spartanburg.

GW Gignilliat houseThe Gignilliat family (an ancient Swiss family of wealth with roots dating back to the 1400s) had already been in the state for close to 200 years. It is one of the notable group of Huguenot families, the founders of which, said Dr JGB Bulloch of Washington DC, "either as gentlemen, planters, soldiers, lawyers, statesmen, &c., have added luster to the Commonwealth of South Carolina."

Jean Francois Gignilliat came to America in late December of 1688 before the Revocation of the Edict of Nantes, where he received from the Lord Proprietors of the Carolinas a grant of 3,000 acres as the ‘first of the Swiss nation to settle in Carolina.’ He & his wife purchased an additional 4,500 acres.

Today, the Gignilliat Park Middle/High Academy and the Gignilliat Community Center stand today as reminders of this powerful family’s continuing impact on Seneca.

sources: www.clemson.edu/caah/cedp/senecatour1.pdf
www.seneca.sc.us
www.sciway.net/city/history/seneca-sc-history.html
The Beville Family of Virginia, Georgia, and Florida, and Several Allied… by Agnes Beville VaughanTedcastle, 1917 private printing (manu. Owned by the University of Wisconsin – Madison)


4/10/08

That’s old Hide-an’-Taller, the best gun ever seen

I was beginning to get a bit worried about Good 'Lige, since I hadn't seen him for some three weeks. It was with a feeling of relief when I knocked at his door last Sunday to hear his cheery voice call to me to enter.

He was sitting before the fire, reading his copy of the weekly newspaper, and he had a pot of ginger stew simmering in the coals on the hearth where a couple of hickory logs were blazing.

"Sit and help yourself," he urged hospitably, nodding toward some cups and saucers on a nearby table.

While we were talking, I glanced about the room at the magazine cover-pages with which he had papered the walls. Over the fireplace, resting on a pair of deer's antlers, lay a gun that caught and held my attention. It appeared to be a muzzle-loading, double-barreled weapon, with one barrel directly over the other. I arose and took the gun down to examine it more closely.

1932 hunting scene, SW Virgina"That’s old Hide-an'-Taller," explained Good 'Lige, "the best gun ever seen in the Apern country. I got her thut'y-forty years ago from one of the Eversoles when he was scoutin' in that French-Eversole war they had down in Kaintucky."

"Hide-and-Tallow?" I queried bewilderedly.

"Yeah, we used to have shootin' matches for beeves," said Good 'Lige, lighting the cigar I gave him. "Beeves wa'nt worth much then, an' the first choice was allus the hide and taller, because they was worth the most. I allers won with that rifle-gun there.

"She’s a double-barr'l," he continued, taking the gun and caressing it. "Ye see the top barr'l is for a single ball an' the bottom barr'l is for shot. She shore has been a meat-gun. If it wa'nt so muddy out thar' I'd show ye how she shoots. I reckon she’s got the longest range ever seen—around her anyhow."

From Tales of the Tall Timbers, a weekly column in The Dickensonian [Clintwood, VA] written by Herbert M. Sutherland, the paper's owner/editor.


As editor of Dickenson County's local county weekly, Herbert M. Sutherland was looked on by the mountaineers as almost one of their own. He was the boy they had seen around town in his teens; the boy who had fought in France in 1918 and come home honorably discharged. After being hospitalized at Walter Reed Hospital for a period of time in Washington, DC, he enrolled in the School of Journalism at Columbia University in New York, where he received a B.A. in Literature in 1921. He worked for the New York Globe, and after it ceased publication he worked for the New York Times.

In 1924 his health failed and he returned to Dickenson County to recuperate. There he spent his time hunting, fishing and writing. During the 1930's, Sutherland became interested in local politics, and was elected four times to the Virginia Assembly.

In 1939 he acquired the Dickenson County Weekly and named it The Dickensonian. His weekly column "Tales of the Tall Timbers" was read and enjoyed all over the country, and by servicemen all over the world during the 1940's and 1950's. This column included stories, using fictitious names, told to him by area friends and associates, whom he fondly referred to as 'The Liars Club.' His tall tales were published after his death in 1967 in a volume called "Tales from the Devil's Apron."

Sources: American Folk Tales and Songs by Richard Chase, Joshua Tolford, Courier Dover Publications 1971
HISTORICAL SKETCHES OF SOUTHWEST VIRGINIA PUBLICATION 13-1979, 'Mountain Scribes' by Bonnie S. Ball
www.jsfbooks.com/bookdetails.asp?ProductID=720


4/9/08

The largest Sunday school in Eastern Kentucky on the L & N R. R.

Mount Vernon Signal [Rockcastle County KY]
April 09, 1909

S. B. Ramsey is building a new room to his butcher shop near the railroad crossing.

The Mt Vernon baseball boys have their new outfits which are first class and up to date and Wednesday fully expect the boys to make a good showing this year.

BIRTH: Born to the wife of William Moore, of Maretburg, a fine baby boy on the 6th.

Mt. Vernon, Rockcastle County, KYView near Mt. Vernon, Rockcastle County

Mr. and Mrs. Marion Hamlin have moved to near Lafollette, Tenn. They sold their farm here.

J. G. Anderson and family, of Livingston, have moved into to the R. K. Powell property on Newcomb Avenue.

J. M. Craig was here Tuesday and told us he had bought over 200 good hogs in the last few days at 4 1/2 to 5 cents a pound.

DEATH: Mrs. Rebecca Mink, of the Skeggs Creek section died Wednesday after an illness of several days. We were unable to learn the cause of her illness.

The Mt Vernon baseball team has a challenge from Green Nebraska Indians. It is likely that they will arrange a game with the Indians here sometime this season. Of course the Indians know our boys can play ball or they wouldn’t to be caught here.

On March the 27th, the Christian Sunday School had an attendance of 143 and collected $2.51 regular collection. One year ago last Sunday this same school had an attendance of 37 and collected $.51 regular collection. This is the largest Sunday school in Eastern Kentucky on the L & N R. R. according to reports sent out every week from the S. S. headquarters in Louisville. There are very few boys and girls in Mt Vernon that are not attending one of our three Sunday schools.


source: http://ftp.rootsweb.ancestry.com/pub/usgenweb/ky/rockcastle/newspapers/09apr1909.txt


4/8/08

She came rollin' down the mountain

Some know the song as "Nancy Brown," others as "The West Virginia Hills," but according to The Frank Gullo Music Sheet (sic) Collection at Millersville University, "She Came Rollin' down the Mountain" was written by Arthur Lippmann, Manning Sherwin, and Harry Richman and published by Crawford Music Corporation in 1932.

The ditty tells the tale of Nancy Brown, who throws over one suitor after another until she finds the man she's been waiting for: "A city slicker with hundred dollar bills." They live happily ever after, until…


In the hills of West Virginia
There's a gal named Nancy Brown
She was the fairest maiden
in city or in town
Now Nancy and the Deacon
climbed the mountainside one noon
they climbed up to the summit
but very very soon
She came rollin' down the Mountain,
rollin' down the mountain
Rollin' down the mountain mighty wide
No, she didn't give the Deacon
not a thing that he was seekin'
She remained just as pure
as the West Virginia sky.

Then there came that ol' cowboy
came a cowboy with his song
took Nancy up the mountain
but she still knew right from wrong
She came rollin' down the Mountain
rollin' down the mountain
Rollin' down the mountain by the Dam
and despite that cowboys urgin'
she remained the village virgin
she remained just as pure
as the West Virginia sand

Then there came that Old trapper
with his words so soft and kind
took Nancy up the mountain
but when she read his mind
She came rollin' down the Mountain
rollin' down the mountain
Rollin' down the mountain by the shack
She remained as I have stated
not the least contaminated
she remained just as pure
as Satin's apple jack

Then there came a city slicker
with a hundred dollar bill
took Nancy and his Packard
way up on the hill
Oh, she stayed up on that mountain
stayed up on that mountain
she stayed up on that mountain all that night
She came down next morning early
more a woman than a girly
and her pappy kicked that hussy out of sight

And now she's livin' in the city,
she's living in the city
livin' in the city mighty swell
Now her life's all beer and skiddles
and she lives on fancy viddles
and those West Virginia hills can go to hell.

Well there came a big depression,
and the slicker lost his pants;
First he lost his Cadillac,
and then he lost his Nance.
And she came back to the mountain,
She came back to the mountain,
She came back to the mountain mighty sore,
And the cowboy and the deacon
Got that thing that they were seekin'
And she's known as West Virginia's biggest...used car dealer.


Springmaid sheet ad 1952A six-stanza parody of "She Came Rollin' down the Mountain"was published in 1952 by textile tycoon Elliot Springs, to advertise his Spring Maid bedsheets. Here's an illustration from that campaign.


Recorded versions:
Blue Ridge Mountain Girls, "She Came Rollin' Down the Mountain" (Champion 16743, 1934)
The Sons of the Pioneers' "Songs of the Prairie" (Bear Family 5-CD box set #15710, 1998)
The Callahan Brothes: 'The Callahan Brothers' Old Homestead (OHCD-4013, 1936)
The Aaron Sisters: Various Artists 'Flowers in the Wildwood: Women in Early Country Music 1923-1939' (Trikont US-1310)
Tex Morton's "Regal Zonophone Collection V.2" (EMI CD 8142052, 1997)


sources: http://answers.google.com/answers/threadview?id=308390
www.csufresno.edu/folklore/drinkingsongs/mp3s/field-work/other-collections/ed-cray-collection/american/westvirg150.txt
www.library.millersville.edu/sc/manuscripts/manus/scoreS.htm
www.traditionalmusic.co.uk/folk-song-lyrics/Nancy_Brown.htm


4/7/08

Pleased to be getting a mural, though not sure what they are

FDR's government established several agencies to give relief to unemployed artists during the Depression. The Treasury Department's Section of Painting and Sculpture (later known as The Section of Fine Arts) was established in October of 1934 to provide decoration for New Deal structures, most commonly post offices and courthouses. Art created by "The Section" is often mistaken for WPA art, since the WPA funded the construction of post office buildings.

The artists who produced murals in Alabama received the award based on work submitted for other sites, or for work done previously in Treasury programs. Twenty-four works were created in Alabama, twenty-three in post offices and one in a courthouse. The standard New Deal post office carried a decorative allotment of $650-$750, covering a space about twelve by five feet above the postmaster’s door. Courthouses could pay a commission of $3,000 and covered more extensive surfaces.

From the allotted funds the artist was required to purchase all the necessary supplies and pay the costs of installation and photographs. Payment to the artist came in three installments: when the initial sketch was approved, when a scale drawing was approved, and when the final panel was verified as in-place by the local postmaster.

Highlights from Appalachian Alabama:

Fort Payne: "Harvest at Fort Payne," Harwood Steiger, 1938.
Steiger, of New York, admitted he had never been as far south as Fort Payne when he received the invitation to produce a mural there. Steiger did make a trip to Fort Payne within a month and found the postmaster most helpful as he prepared his sketches. The postmaster, in fact, told Steiger that he was pleased to be getting a mural although he had never heard of one before, and he drove Steiger out into the country to see waterfalls. Steiger proposed two different sketches for the mural: one showing the cotton industry in town and the other a landscape. He and the Section both chose the "pretty landscape" as more pleasing.

Ft Payne AL post office muralHuntsville: "Tennessee Valley Authority," Xavier Gonzalez, 1937.
The Huntsville mural was the largest and most expensive panel commissioned in Alabama and the only one placed in a federal courthouse rather than a post office. Gonzales received the invitation for the panel based on designs he had submitted for a competition in Jackson, Mississippi, in 1936. He originally proposed a rather odd allegorical panel that the Washington office criticized for both its style and its lack of meaning for the people in Huntsville. Instead of making allegorical allusions it was suggested that Gonzalez place emphasis on the realities of life. Using a realistic style and basing his new theme on the work then being done by TVA in northern Alabama, he redesigned the panel several times, finishing it in October of 1937.

Scottsboro: "Alabama Agriculture," Constance Ortmayer, 1940.
Ortmayer was teaching at Rollins College in Florida when she received the invitation to do a panel in Scottsboro. She chose a theme based on Alabama agriculture, especially cotton and corn. She described the final images: "Three phases of cotton growing form the theme of the central panel. On the right the cultivation of the crop is symbolized by the young man working with a hoe among the new plants. Opposite a young woman is depicted picking ripened bolls, and for the background, the processing and shipping of cotton is represented by the bales and the strong figure of a second young worker standing between them. Both of the flanking panels interpret the growing of corn. The young man and woman shown on the right are examining the fruit on the ripened stalks and the couple on the left are represented as workers who have harvested the new crop."


sources: www.arts.state.al.us/downloads/Al_Arts_Mag_PublicArt.pdf
www.alabamamoments.alabama.gov/sec49det.html
www.wpamurals.com/alabama.htm


4/3/08

Horace Kephart, champion of the Smokies

On April 2, 1931 Horace Kephart was killed in an automobile accident near Ela, NC along with fellow author Fiswoode Tarelton. Kephart (1862-1931) was a travel writer and librarian who published hundreds of articles during his lifetime, but became especially renowned for his classic works 'Our Southern Highlanders' and 'Camping and Woodcraft.'

In one of Poe's minor tales, written in 1845, there is a vague allusion to wild mountains in western Virginia "tenanted by fierce and uncouth races of men." This, so far as I know, was the first reference in literature to our Southern mountaineers, and it stood as their only characterization until Miss Murfree ("Charles Egbert Craddock") began her stories of the Cumberland hills.

Opening of 'Our Southern Highlanders,' by Horace Kephart


In 'Our Southern Highlanders,' published in 1913 and expanded in 1922, Kephart argued that the rest of America knew almost nothing of a people set apart "from all other folks by dialect, by customs, by character, by self-conscious isolation," who because of the terrain of the land still lived in the eighteenth century. His book strove to change that. Kephart saw firsthand the impact of modernized communication and transportation on Appalachia during his lifetime, and by book’s end predicted that the region was on the verge of an economic revolution which would change everything.

Horace KephartTrained as a librarian, Kephart achieved national recognition during his years as director of the Mercantile Library in St. Louis, Missouri, from 1890 to 1903. While living in what was already one of the largest cities in the nation, Kephart began indulging in outdoor life through camping and hunting trips. As his passion for the outdoors increased, Kephart began to write articles about the subject topics. Kephart developed 10 years of experience writing about these excursions centered on Arkansas and Missouri.

These works are similar in substance and tone to those he would later publish about western North Carolina’s mountains and people. Eventually he succumbed to what he later called 'nervous exhaustion' and concluded that urban life was a major contributor to his problems. He left his career as a librarian in St. Louis and, after a brief respite and period of personal reflection at the home of his father in Ohio, soon decided to move to western North Carolina.

In 1904, at the age of 42, Kephart arrived in western North Carolina to begin his life anew. He chose a simple lifestyle and nature-as-healer approach. At the same time, he immersed himself in his new natural environment and took an immediate interest in the history and culture of the people.

Kephart, who was personally modest and rarely sought the limelight, nevertheless used his abilities and reputation on behalf of the movement to create a Great Smoky Mountains National Park. As a unique and recognized personification concerning the cultural and natural studies on the Great Smokies region, he was influential in convincing individuals on both the local and national levels of the need for such a park.

Great Smoky Mountains by Albert Dutch RothKephart's arguments on behalf of a park were thoughtful and pragmatic as well as appealing to the love and appreciation of nature. Acknowledging that the Great Smoky Mountains contributed to his mental and physical recovery after 1904 and describing the economic potential of a national park, he campaigned vigorously to preserve the last major stands of forests in the East.

It had become apparent in his lifetime that a national park would be a reality. In February 1931 the U.S. Geological Board recognized Kephart's contribution by naming a peak within the park Mount Kephart, an honor previously only bestowed posthumously. Shortly before his death, Kephart had represented Swain County in Washington, D.C., when state park officials from North Carolina and Tennessee transferred the titles of the lands purchased by them to be used for the park over to the United States government.

Kephart's major works have remained in print and articles appear on a routine basis about his contributions to camping, regional history, and the Great Smoky Mountains National Park.

Sources: http://library.wcu.edu/digitalcoll/kephart/horacekephart/biography.htm
smokymountainnews.com/issues/06_04/06_30_04/mtn_voices.html


4/2/08

Chattanooga woman strikes out Babe Ruth

On April 2, 1931, world famous New York Yankees sluggers Babe Ruth and Lou Gehrig were struck out by a 17 year old female pitcher named Virnett 'Jackie' Mitchell in Chattanooga, TN.

"I don't know what's going to happen if they begin to let women in baseball," grumbled Ruth off-field. "Of course, they will never make good. Why? Because they are too delicate. It would kill them to play ball every day."

Joe Engel, owner of the Southern Association's AA Chattanooga Lookouts, had recently signed Mitchell after spotting her in a baseball camp in Georgia. Engel, a former big league player who scouted for the Washington Senators after his playing days, was known for his innovative, entertaining, and often zany promotional stunts.

The local papers were full of stories about the first woman to ever play in the minor leagues, though Jackie Mitchell was actually the second woman to sign a minor-league contract. In 1898, Lizzie Arlington played one game, pitching for Reading (PA) against Allentown.

Pitcher Jackie MitchellThe Yankees had stopped in Chattanooga for an exhibition game that day, on their way home from spring training down south. Major league teams often traveled the country playing against members of their minor league's farm system. This gave the locals an opportunity to see big league players in towns that did not boast big league franchises. It also kept the players in off-season shape - both in body and mind. Billed as a huge event due to the appearance of "Murderers Row" ---Ruth, Lou Gehrig, and Tony Lazzeri--- the game brought out a crowd of 4,000, including scores of reporters, wire services, and even a newsreel camera.

Manager Bert Niehoff started the game with Clyde Barfoot, but after Barfoot gave up a double and a single, the manager signaled for Jackie Mitchell. The rookie southpaw took the mound wearing a baggy white uniform that had been custom-made by the Spalding Company. The first batter she faced was Ruth.

Jackie, a left-hander, only had one pitch, a wicked, dropping curve ball. Ruth took ball one, and then swung at -- and missed -- the next two pitches. Jackie's fourth pitch caught the corner of the plate, the umpire called it a strike, and Babe Ruth "kicked the dirt, called the umpire a few dirty names, gave his bat a wild heave, and stomped out to the Yank's dugout."

The next batter was Lou Gehrig. He stepped up to the plate and swung at the first sinker -- strike one! He swung twice more, hitting nothing but air. Jackie Mitchell had fanned the "Sultan of Swat" AND the "Iron Horse," back-to-back.

After a standing ovation that lasted several minutes, Jackie pitched to Tony Lazzeri, who drew a walk. At that point, Niehoff pulled her and put Barfoot back in. The Yankees won the game 14-4.

The 17-year old had squared off against three future Hall of Famers, striking out two of them. The next day, one newspaper would speculate that "maybe her curves were too much for them."

But a few days after the exhibition game, Baseball Commissioner Kenesaw Mountain Landis voided Jackie Mitchell's contract, claiming that baseball was "too strenuous" for a woman.

Crushed and disappointed, Jackie began barnstorming, traveling across the country pitching in exhibition games. In 1933, when she was 19, she signed on with the House of David, a men's team famous for their very long hair and long beards. She traveled with them until 1937, but eventually got tired of the sideshow aspects of barnstorming -- like playing an inning while riding a donkey.

At the age of 23, she retired and went to work in her father's optometry office, although she continued to play with local teams from time to time. Forty-five years later, in 1982, the 68-year-old Jackie threw out the ceremonial first pitch for the Chattanooga Lookouts on opening day.

sources: www.baseball-almanac.com/articles/aubrecht8.shtml
http://web.baseballhalloffame.org/news/article.jsp?ymd=20070215&content_id=280&vkey=hof_news
www.exploratorium.edu/baseball/mitchell.html


4/1/08

Had to furnish my own horse; bought one from the coal company

John Holt (1870-1918), a coal miner in Murray City, OH, kept a journal of his daily life.

John Holt, Murray City OH minerJohn Holt and the coal miners he worked with outside of the mine in Murray City.

April 1907- "The miners here geting 57 cts per ton for screened coal and two dollars and fifty six cents per day for day work inside of mine 236 for outside work 8 hours to be one days work. I went to work day work in mine no 2 but onely work a short time when I got contract of picking up coal at mines no 1, 2, and 3 had to furnish my own horse bought one from the coal company Paid $60 dollars for him and he was well worth it as he is a vary good horse but old.

“Also bought a cow a young one first calf for $30 dollars. She is vary good. Later in September I think, I bought a two seated surray for one horse or I paid $50 dollars for it later I bought a one horse wagon and buggy or runabout of John ???? for $25 dollars 2 get 90 cts per ton that being Pick price for picking up coal and cleaning tracks. I made $70 dollars the last half of July.

“That being my first start and the month of August we made $203 dollar s with my son Clifford working with me till school started in September. Then he went to school. There is 8 months school. Since then I have not made less than 120 dollars per month till month of March we had hardly any work and of course that throwed me out too. I onely Made about $45 for the whole month and I don' t think I will get vary mutch this month either as work is poor we all have had fair health the past year. "

The Flood

April 14, 1907- "the flood commenced about 7 o'clock on the 13th of March and thundered and lightnening'd like summer time and the rain fell fast until the streams and rivers were running wild. Several houses and part of the trestle washed away at the mine. Some mines were filled up with water and towns along the Hocking River were flooded bad. Buildings washed away and people drowned.

Hocking River flood 1907Athens, OH home destroyed by flood.

"Towns that suffered the most were Nelsonville, Athens and Logan. It took peoples furniture and caused lots of suffering and would have been worse except for the warm weather. The railroad was damaged something like $100,000 dollars. Mail was unable to be delivered for a week."

source: www.ohgen.net/ohathens/johnholtjournal.htm [diary & Holt photo]


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