Traditional dancing in Appalachia includes several types: step dancing, set dancing, and couple dancing. Step dance traditions include clogging, buckdancing, flatfooting, and the Charleston. Set dances, involving two or more couples, include four couple squares, big set (ring) dances, reels, country (contra) dances, and play parties. Couple dancing, often referred to as "round dancing," includes the two-step and waltz.
Square dancing, one of the oldest forms of American folk dancing, evolved from several different Old World group dances, mainly the English country, or contra, dance and the French quadrille.
In the American version of square dancing, four couples form a square and dance to music from an accordion, banjo, fiddle, and guitar.
An old-fashioned Southern "square", sometimes called "running set"-- English musicologist Cecil Sharp coined the term while describing dancing in eastern Kentucky in 1916--, can accomodate as few as four or as many couples as want to crowd in. The formation is really a big circle with any number of couples. (There are, of course, a body of Southern squares that are done in 4-couple sets.) Most commonly, a Southern "running set" type of square dance is structured in two parts: First the major circle and then the minor circle. With all hands joined in one big circle around the hall, one or more introductory big circle figures are danced.
Square dance, Skyline Farms, AL, 1937. Photo by Ben Shahn.
The big circle then breaks up and each couple joins with an adjacent couple to dance some little circle figures. The movements are not so much geometrical figures but little pantomimes: "Birdie in the cage and three hands around" (a girl steps into the center, the other three circle around her); "Around that couple and take a peek" (the active couple tries to look at each other behind the backs of of the inactives, who try to hinder them); "Chase a rabbit, chase a squirrel, chase a pretty girl around the world" (the man pursues his partner around the other couple); to name just a few.
The little circles can be spaced in a major circle around the hall, as in a Sicilian circle; or they can be scattered all over the dance floor. The couples move on to join a new couple and repeat the little figures; progression may occur several times. To conclude, all rejoin in a large circle and dance a finishing big circle figure. An American addition to square dancing is the caller.
Ladies do and the gents you know,
It’s right by right by wrong you go,
And you can’t go to heaven while you carry on so,
And it’s home little gal and do-si-do,
And it may be the last time, I don’t know,
And oh by gosh and oh by Joe.
—(Ernest Legg, WV)
Ernest Legg’s calls were featured on a number of 78s recorded by the Kessinger Brothers in 1928.
The caller--someone who calls out the dance steps in time to the music--was a completely American invention. At first dancers memorized all the steps for a particular dance, but eventually the dances became so complicated that it was necessary to have someone yell out cues so that dancers didn't have to remember so many steps. The caller didn't just call out "do-se-do your partner"; a good caller also came up with colorful sayings or witty lines that he would say in between the cues such as "Don't be bashful and don't be afraid. Swing on the corner in a waltz promenade." A caller might also come up with new dance steps and routines.
Alabama, Georgia, South Carolina, Tennesse and Virginia have all seen fit to make the square dance their ‘folk dance’ State Symbol. North Carolinians prefer clog dancing receive that designation, and West Virginians and Kentuckians haven’t included any sort of dance as a state symbol.
sources:www.americaslibrary.gov/cgi-bin/page.cgi/jp/dance/square_2
www.library.appstate.edu/appcoll/research_aids/pjamison.html
www.bubbaguitar.com/square/orient.html
www.oldtimeherald.org/archive/back_issues/volume-7/7-8/dance_beat.html
www.heinerfischle.de/history/history.htm
square+dancing buckdancing clogging Cecil+Sharp appalachia appalachian+mountains+history appalachian+history
"[After the end of the Spanish American War] Mt. Savage resumed its gay pleasures, which led to many courtships. There was nothing better to further this cause than a long bicycle ride.
"The Sunday afternoon ride up to Allegany, pushing up Moss Cottage Hill; stopping at Paul's Store to buy peppermints and licorice candy; resting in the shade of the big oak trees along the straight; sometimes watching the gypsies in their bright costumes camped there; sometimes having their fortunes told; speeding homeward before supper.
"The swift wind carrying a marriage proposal over his shoulder, but her keen ears caught it despite the noise.
"… But the nights belonged to youth. The day's events were only to warm up for the square dance at night. How we helped big sister pull the corset strings tighter and tighter. One would die if one's waist was over 18 inches. Mother helping to button up the blouse in the back and sister fluffing out the ruffled front and all the girl friends collecting at our house and admiring each others’ clothes.
"This evening of fun was only equaled by the Saturday night dance at Locust Grove. The fiddlers tuning up and the figure caller strutting around and announcing 'the first dance is free Ladies and Gentlemen.' How disgusted the young ladies and men were to see all those kids crowding on the floor taking advantage of the free dance.
"The daring young man who swings his girl completely off her feet and she didn't mind too much because she had on her new ruffled petticoat. The Saturday night fights over the best looking girl. The insects danced just as merrily around the torches stuck on polls and nailed to the locust trees. And the music! Has there ever been anything written to better dance to than Oh Dem Golden Slippers or Climbing Up De Golden Stairs?
From a speech written and presented to the Homemakers Club by Mary (Miller) Bowen, wife of William Anthony Bowen of Mt. Savage, Allegany County, Maryland. April 29, 1953
source: http://files.usgwarchives.org/md/allegany/history/local/mtsavage.txt
In 1994, square danc
ing was designated the Maryland State Folk Dance. This dance integrates the Morris and Maypole dances of
England, ballroom dances of France, Church
dances of Spain, and folk dances of Australia, Ire
land, Italy, Germany, Mexico, Poland, Russia. Square dancing has been a popular
Maryland folk tradition since 1651.
Source: http://snipurl.com/2y0a7 [www_msa_md_gov]
square+dancing Allegany+County+MD Mt+Savage+MD appalachia +appalachian+history appalachian+mountains+history
